the modulation at the end. It's a timeless standard, so could really be used
for any version. Guitarists should be aware of the inversions that they use so
that they can maintain a walking bass movement with the chords.
Call me irresponsible
Call me unreliable
A7b9 #5 D7b9
Throw in undependable, too - - - - - - -
Am7b5 D7b9
Do my foolish alibis bore you?
Well, I'm not too clever, I
I just adore you
So, call me unpredictable
Tell me I'm impractical
A7b9 Am7b5/ D7b9
Rainbows, I'm inclined to pursue
Call me irresponsible
Am7b5 D7b9
Yes, I'm unreliable
C13b9 A7b9 #5 D7b9
But it's un - de - ni - ably true - - - - - - -
C13b9
That I'm irresponsibly mad for you
SOLO (no vocals)
================
So, call me unpredictable
Tell me I'm impractical
A7b9 Am7b5/ #5 D7b9
Rainbows, I'm inclined to pursue
END SOLO
========
Am7b5 D7b9
Do my foolish alibis bore you?
Girl, I'm not too clever, I
C7b9
I just adore you
Call me unpredictable
Tell me that I'm so impractical
A#7b9 A#m7b5/ #5 D#7b9
Rainbows, I'm inclined to pursue
Go ahead call me irresponsible
D#7b9
Yes, I'm unreliable
C#13b9 #5 D#7b9
But it's un - de - ni - ably true - - - - - - -
#5 C#7b9
That I'm irresponsibly mad for you
(Vamp that I - vi - ii - V on the outro)
You know it's true
Oh, baby it's true